It analyzes a clip’s audio and creates a text transcript that’s timecode-specific and searchable by keyword. But perhaps the most exciting implementation of metadata is Premiere Pro CS4’s speech transcription feature. A new Metadata panel lets you view and input information about a clip or even its source file. In fact, more extensive support for metadata is a prominent feature in Premiere Pro. This way, shot information encoded in the field is present in Premiere Pro, making it easy organize and search the footage without intermediate steps. And Premiere Pro CS4 not only supports the media, but its metadata, as well. Premiere Pro CS4 expands its support of tapeless media to include P2, AVCHD, XDCAM EX, and XDCAM HD. A new Media Browser panel lets you preview and import footage on your computer from within the Premiere Pro interface-which is particularly useful when importing material from tapeless media. Of course, Premiere Pro CS4 also boasts numerous new features of its own. In the past, you could export just one sequence to a single format at a time. Premiere Pro CS4 also ships with Adobe Media Encoder CS4, a separate but integrated program that can batch encode any combination of Premiere Pro sequences and other files to multiple formats. Prior to CS4, Mac users could only run the program via Boot Camp. OnLocation CS4 lets you use a laptop to monitor, capture, and log video in the field. With CS4, Adobe eliminates the most conspicuous disparity between the Windows and Mac versions of the Creative Suite by including a Mac-compatible version ofĪdobe OnLocation. A few of the most notable new features aren’t part of Premiere Pro CS4 itself, but come in the form of companion programs.
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